Jacqueline Taïeb
Our pick of the pops
Tunisian-born French singer Jacqueline Taïeb took influences from London and north Africa to flavour her records of the 1960s. Her Sept heures du matin is considered manna for fans of French femme pop.
She was born in Carthage, in Tunisia, in November 1948 and moved to France at the age of eight with her parents. She began composing her own songs before she had even hit her teens.
In 1966 she was offered a contract with the Impact record label.
Her first EP was recorded in London and released in France in January 1967. All songs on it were composed by the young singer herself. Though the lead track, Sept heures du matin, was only a small hit at the time, it has gone on to become considered a classic of the French girl pop genre. The EP also featured Bienvenue au pays, Ce soir je m’en vais and La plus belle chanson du monde.
Sept heures du matin was also translated for release in the UK on the Fontana label in 1968, as 7 am, though, interestingly, it was consigned to the B-side of Tonight I'm going home, a version of Ce soir je m’en vais.
Her second French release followed three months later. The EP featured another four Taïeb compositions, including the excellent Qu’est-ce qu’on se marre à la fac (often known as La fac de lettres) and La première à gauche, as well as Bientôt tu l’oublieras and Le printemps à Paris.
A third EP led with Bravo, and also included Juste un peu d'amour, On roule à 160 and Le coeur au bout des doigts.
She recorded one more single for Impact, À chacun sa vie, before before switching to EMI/Pathé for 1969’s Bonjour Brésil.
She then surprised the industry by returning to her studies.
It wasn’t until the late 1970s that she began composing again, and artists as diverse as Yves Montand, Michel Fugain, Jeane Manson and Stone et Charden recorded her material. In the 1980s she wrote Ready to follow you for American singer Dana Dawson, and released a number of records herself, including Je cherche quelqu’un and Les chanteurs disent la vérité.
She released an album in 2005, Jacqueline Taïeb is back, and an EP with the Amsterdam Beatclub in 2006.
With thanks to Tom K White for additional information.
Sept heures du matin
1967
Qu’est-ce qu’on se marre à la fac
1967
La première à gauche
1967
Le coeur au bout des doigts
1967
Buy online now
Various artists
Femmes de Paris, vol 3
Jacqueline Taïeb online
