Jan Panter

Our pick of the pops

British singer Jan Panter issued just four singles in the UK and is best remembered for her work with German producer Mark Wirtz, notably on the 1966 fuzz guitar fest Scratch my back.

She hailed from north London.

In late 1964, aged 16, she recorded the charming Yours sincerely for Colino Productions. The song had been written by German producer Mark Wirtz (who is best known for 1967’s Excerpt from ‘A teenage opera’, and who went on to work with other Brit girls Samantha Jones and Ross Hannaman), but it failed to gain a release.

The following year, she was spotted by Oriole record label A&R man Ted Taylor and signed to the label. The result was the single My two arms – you = tears, a cover of a Mary Wells Motown album track, and was released in 1965.

When it flopped, she switched to the CBS label for Let it be now, issued later the same year. (The B-side was the Lori Burton/Pam Sawyer composition Stand by and cry.)

She switched again in 1966, to Pye, for what is generally regarded as her finest moment. She was teamed with Wirtz again for her first single for the label, Scratch my back, a song she’d written herself. Given Jan’s previous lack of success, she was nearly relaunched as Charlotte Green for the release. She rejected the move but agreed to use the name for the song’s writing credits. Returning to the Motown songbook for the B-side, she cut an interesting version of Put yourself in my place, originally recorded by the Elgins.

It was another three years before she issued her next single, Si si señor, this time on the President label. The song had been written by Eddy Grant of the Equals. It didn’t set the British charts alight but was considered suitable for a German release. She re-recorded the lyrics in German and it was duly issued by EMI’s Columbia label. She was billed Janet Panter for the German market to avoid confusion, as Jan is a man’s name in Germany. (The B-side, Stella in lights, was also re-recorded, as Wenn die Liebe kommt for the B-side, but with different backing.)

Sadly, the song fared no better than the English original and marked the end of her recording career.