Sandra Barry
Our pick of the pops
British singer Sandra Barry started out on the radio and in film before launching herself into the world of pop under several aliases.
Schoolgirl Sandra Alfred spent the 1950s taking part in talent shows and making a name for herself on the radio, in the light entertainment programme Educating Archie, and in film, playing a naughty fourth former in the classic 1954 British comedy The belles of St Trinian’s.
In 1957 she cut her first record, a novelty number, and it took her another six years before she tried again, under the moniker Mandy Mason, on the Parlophone label
For her next release, she recorded Really gonna shake, issued on the Decca label in March 1964 and credited to Sandra Barry and the Boys. (The Boys in question later became cult Mod group the Action.)
In 1965 she joined the Pye record label, where she was to issue three singles. The first, The end of the line – penned by Tony Hatch, the man behind dozens of songs by Petula Clark, Jackie Trent
and others – is more highly regarded for its flip, the excellent We were lovers (when the party began), a cover of the Exciters’ US release.
When it failed to sell, she came back with a feisty
– but equally unsuccessful – remake of Lloyd
Price’s 1960 release Question. (The B-side,
the cheerful You can take it from me, was
another Hatch composition.)
For live appearances she was backed by the
Jet Blacks, which included future Led Zeppelin
bassist John Paul Jones.
Her final single for Pye was 1966’s Stop! Thief,
backed with I won’t try to change your
mind. Both sides were written by Tony
Macauley and John Macleod, who later worked
with British girl group the Paper Dolls, amongst
others.
After touring Germany in the early 1970s, she
reappeared on the London pub circuit in 1973
as Alice Spring, lead singer of the group Slack
Alice.
Question
1965
Really gonna shake
1964
We were lovers (when the party began)
1965
Sandra Barry on YouTube
Stop! Thief
1966
Buy online now
Various artists
It's so fine: Pye girls are go!
Various artists
Here come the girls
